Diversions for Piano Left Hand and Orchestra
Diversions for Piano Left Hand and Orchestra, Op. 21, is a concertante music composition by Benjamin Britten.
History
Britten wrote the work for the Viennese-born pianist Paul Wittgenstein, who lost his right arm in World War I. Britten met Wittgenstein in New York in July 1940 and sketched the piece in August at Owl's Head, Maine. Although Wittgenstein complained about the orchestration, Britten initially declined to make any changes[1] but later agreed to a few small alterations. Forever after, he felt bitter about them, and after 1950 he revised the score "to create an official version that would stop Paul playing it by rendering his version obsolete."[2] Wittgenstein retained the performing rights for a good number of years, which kept other pianists from performing the work.[3]
Wittgenstein played the premiere of Diversions with the Philadelphia Orchestra under the baton of Eugene Ormandy on 16 January 1942. The Philadelphia reviewers commented more on Wittgenstein and his work as a one-armed pianist than on the composition itself. The Philadelphia Record did describe the score as "ingeniously written", while Musical America commented on the presence of both "pleasurable and dull moments" in the work.[4]
Wittgenstein gave the British premiere of the revised work in October 1950, with the (then) Bournemouth Municipal Orchestra under Trevor Harvey. Britten then made further revisions and in 1954 made his own first recording, conducting the London Symphony Orchestra with soloist Julius Katchen.[5]
Music
The piece is in the form of a theme and 11 variations:
- Theme
- Variation I, Recitative
- Variation II, Romance
- Variation III, March
- Variation IV, Rubato
- Variation V, Chorale
- Variation VI, Nocturne
- Variation VII, Badinerie
- Variation VIII, Ritmico
- Variation IXa, Toccata I
- Variation IXb, Toccata II
- Variation X, Adagio
- Variation XI, Tarantella.
Britten utilised music that he wrote for a production of J. B. Priestley's Johnson over Jordan as source material for the work.[6] Lyn Henderson has noted the influence of Prokofiev-like rhythms in Variation IXa.[7] Christopher Mark has discussed Britten's use of the circle of fifths in various works, including the Diversions.[8]
Recordings
- Decca LXT 2981 (original LP): Julius Katchen, pianist; London Symphony Orchestra; Benjamin Britten, conductor[9]
- Desto Records DC-7168 (original LP): Leon Fleisher, pianist; Baltimore Symphony Orchestra; Sergiu Comissiona, conductor
- Sony Classical SK 48188 (1992 CD): Leon Fleisher, pianist; Boston Symphony Orchestra; Seiji Ozawa, conductor
- EMI Classics: Peter Donohoe, pianist; City of Birmingham Symphony Orchestra; Sir Simon Rattle, conductor
References
- ^ Mitchell, Donald; Reed, Philip, eds. (1991). Letters from a Life: Selected Letters and Diaries of Benjamin Britten, Vol 2, 1939–45. London: Faber and Faber. pp. 956–57. ISBN 0-571-16058-1.
- ^ Waugh, Alexander (2009). The House of Wittgenstein, New York: Doubleday, pp. 279, 292
- ^ Thackeray, Ruth (1978). "Music in London: Orchestral". The Musical Times. 119 (1629). The Musical Times, Vol. 119, No. 1629: 975–977. doi:10.2307/960161. JSTOR 960161.
- ^ Robinson, Suzanne (1997). "'An English Composer Sees America': Benjamin Britten and the North American Press, 1939–42". American Music. 15 (3). American Music, Vol. 15, No. 3: 321–351. doi:10.2307/3052328. JSTOR 3052328.
- ^ Robert Matthew-Walker: Notes to Hyperion CD CDA67625 (2008)
- ^ Salter, Lionel (1994). "Book Reviews". The Musical Times. 119 (2): 268–297. JSTOR 964627.
- ^ Henderson, Lyn (January 1987). "His Influence on Britten: The Vital Prokofiev". The Musical Times. 128 (1727): 24–25. doi:10.2307/1004703. JSTOR 1004703.
- ^ Mark, Christopher (1994). "Britten and the Circle of Fifths". Journal of the Royal Musical Association. 119 (2): 268–297. doi:10.1093/jrma/119.2.268. JSTOR 766522.
- ^ Thomson, Eric (1955). "Record Guide". Tempo. New Series. 36 (36): 35. ISSN 0040-2982. JSTOR 944035.
Sources
- Mitchell, Donald; Reed, Philip, eds. (1991). Letters from a Life: Selected Letters and Diaries of Benjamin Britten, Vol 2, 1939–45. London: Faber and Faber. ISBN 0-571-16058-1.
See also
- v
- t
- e
- Paul Bunyan (1941)
- Peter Grimes (1945)
- The Rape of Lucretia (1946)
- Albert Herring (1947)
- The Little Sweep (1949)
- Billy Budd (1951)
- Gloriana (1953)
- The Turn of the Screw (1954)
- Noye's Fludde (1958)
- A Midsummer Night's Dream (1960)
- Owen Wingrave (1971)
- Death in Venice (1973)
- Curlew River (1964)
- The Burning Fiery Furnace (1966)
- The Prodigal Son (1968)
- Plymouth Town (1931)
- Night Mail (1936)
- The Prince of the Pagodas (1956)
- Sinfonietta (1932)
- Simple Symphony (1934)
- Soirées musicales (1937)
- Variations on a Theme of Frank Bridge (1937)
- Mont Juic (1937)
- Sinfonia da Requiem (1940)
- Matinées musicales (1941)
- The Young Person's Guide to the Orchestra (1946)
- Piano Concerto (1938, rev. 1945)
- Violin Concerto (1939, rev. 1958)
- Young Apollo (1939)
- Diversions for Piano Left Hand and Orchestra (1940 rev. 1954)
- Cello Symphony (1963)
- Our Hunting Fathers (1936)
- The Company of Heaven (1937)
- Les Illuminations (1939)
- Serenade for Tenor, Horn and Strings (1943)
- Saint Nicolas (1948)
- Spring Symphony (1949)
- Nocturne (1958)
- Cantata academica (1959)
- War Requiem (1961)
- Cantata misericordium (1963)
- Children's Crusade (1969)
- Phaedra (1975)
- Beware! Three Early Songs (1922–26)
- Seven Sonnets of Michelangelo (1940)
- The Holy Sonnets of John Donne (1945)
- Britten's Purcell realizations (1945)+
- 5 Canticles (1947–75, including Canticle I: My beloved is mine and I am his, Canticle II: Abraham and Isaac (1952), Canticle III: Still falls the rain (1954) and Canticle IV: The Journey of the Magi (1971)
- A Charm of Lullabies (1947)
- Winter Words (1954)
- Songs from the Chinese (1957)
- Sechs Hölderlin-Fragmente (1958)
- Songs and Proverbs of William Blake (1965)
- The Poet's Echo (1965)
- Who Are These Children? (1969)
- A Birthday Hansel (1975)
- Friday Afternoons (1932–1935)
- A Boy was Born (1933)
- Te Deum in C (1934)
- Advance Democracy (1938)
- A Ceremony of Carols (1942)
- Hymn to St Cecilia (1942)
- Festival Te Deum (1944)
- Rejoice in the Lamb (1943)
- Five Flower Songs (1950)
- Hymn to St Peter (1955)
- Missa Brevis (1959)
- A Hymn of St Columba (1962)
- The Golden Vanity (1966)
- Children's Crusade (1968)
- Sacred and Profane (8 medieval lyrics) (1974)
- Jubilate Deo (1961)
- String Quartet in D major (1931)
- Phantasy Quartet (oboe quartet, 1932)
- String Quartet No. 1 (1941)
- String Quartet No. 2 (1945)
- Prelude and Fugue on a Theme of Vittoria (organ, 1946)
- Six Metamorphoses after Ovid (oboe, 1951)
- Fanfare for St Edmundsbury (three trumpets, 1959)
- Cello sonata (1961)
- Nocturnal after John Dowland (guitar, 1963)
- Cello suites (1964, 1967, 1972)
- String Quartet No. 3 (1975)
- Homage to Paderewski (1941)
- Variations on an Elizabethan Theme (1953)
- War Requiem (1989 film)
- Benjamin Britten (train)
- Benjamin Britten Academy
- Britten Inlet
- Britten Hall
- Britten Sinfonia
- Benjamin Britten: A Life in the Twentieth Century
- Britten's Children
- Cantus in Memoriam Benjamin Britten
- English Opera Group
- The Dark Tower
- Scallop (2003)