Jules Crépieux-Jamin
French graphologist
You can help expand this article with text translated from the corresponding article in French. (January 2024) Click [show] for important translation instructions.
- View a machine-translated version of the French article.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing French Wikipedia article at [[:fr:Jules Crépieux-Jamin]]; see its history for attribution. - You may also add the template
{{Translated|fr|Jules Crépieux-Jamin}}to the talk page. - For more guidance, see Wikipedia:Translation.
Jules Crépieux-Jamin (1859–1940) was a French graphologist born in Arras.
From 1889 Crépieux-Jamin worked as a dentist in Rouen. He was deeply interested in the works of Jean-Hippolyte Michon (1806–1881), who is considered to be the founder of modern graphology (science of handwriting analysis). For much of his career Crépieux-Jamin analyzed and revised Michon's work, which included reclassification and re-grouping the system of "handwriting signs", and developing new rules on their classification.
In his 1929 book ABC de la graphologie he laid out a classification system of seven categories in which 175 graphological signs are grouped. The seven categories he used are titled: Dimension, Form, Pressure, Speed, Direction, Layout and Continuity. As an example the category "Form" would contain various graphological signs such as: "rounded", "ornate", "harmonious", "confused", et al.
Crepieux-Jamin took a "holistic approach" to handwriting analysis, and to every element in the handwriting he applied a range of hypothetical meanings, maintaining that the value of a particular sign is not fixed, and its importance and interpretation are variable depending on other aspects in the writing being analyzed.[1]
Writings
- Traité Pratique de Graphologie, Flammarion, Paris
- L'écriture et le caractère (1888), PUF, Paris, 1951, 441 pages --- Handwriting and expression
- La graphologie en exemples (1898), Larousse, Paris.-- Graphology in examples
- Les Bases fondamentales de la Graphologie et de l'expertise en écritures (1921)-- The fundamentals of graphology and expertise in writing
- L'Age et le sexe dans l'écriture (1924), Adyar, Paris --- Age and sex in handwriting
- Les éléments de l'écriture des canailles (1925), Flammarion, Paris.---The elements of the writing of scoundrels.
- L'ABC de la graphologie (1929), PUF, 1960, 667 pages--- The ABC of graphology.
- Libres propos sur l'expertise en écritures et les leçons de l'Affaire Dreyfus, Alcan, 1935 --- On free writing expertise and lessons of the Dreyfus Affair.
Further reading
- Nicolas, Serge; Andrieu, Bernard; Sanitioso, Rasyid Bo; Vincent, Romain; Murray, David J. (2015-03-01). "Alfred Binet and Crépieux-Jamin: Can intelligence be measured scientifically by graphology?". L'Année psychologique. 115 (1): 3–52. doi:10.3917/anpsy.151.0003. ISSN 0003-5033.
References
- The British Academy of Graphology (biography)
- Parts of this article are based on a translation of an equivalent article at the French Wikipedia.
- ^ "History of Graphology". Archived from the original on 2012-02-23. Retrieved 2012-01-27. British Graphology (History)
Authority control databases  | |
|---|---|
| International |
|
| National |
|
| Academics |
|
| People |
|
| Other |
|
