The Patrician's Dream
The Patrician's Dream or The Foundation of Santa Maria Maggiore in Rome I: The Dream of Patrician John is a 1665 oil on canvas painting by Bartolome Murillo. It has been in the Museo del Prado since 1901.[1]
It originally formed a pair with John the Patrician and his Wife Revealing their Dream to Pope Liberius (also in the Prado), together telling of the story behind the foundation of Santa Maria Maggiore in Rome, with two small pendents of The Immaculate Conception (Louvre) and The Triumph of the Eucharist (Faringdon collection, Buscot Park).[2] The set was produced for the church of Santa María la Blanca in Seville - originally a synagogue it had been remodelled between 1662 and 1665 to commemorate pope Alexander VII's Apostolic Constitution Sollicitudo omnium ecclesiarum instituting the feast of the Immaculate Conception. The two main works were looted by Marshal Soult for the Napoleon Museum, before being returned to Spain 1816, upon which they were initially placed in the Real Academia de Bellas Artes de San Fernando.[3]
References
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- San Vicente (c. 1640–1650)
- La Colasal (1645–1655)
- Esquilache (1645–1655)
- El Escorial (1660–1665)
- Museo Soumaya (c. 1670)
- Aranjuez (c. 1675)
- Los Venerables (c. 1678)
- Walpole (c. 1680)
- The Vision of Fray Lauterio (c. 1640)
- Joseph and Potiphar's Wife (1640–1645)
- Saint Francis of Assisi at Prayer (c. 1645–1650)
- The Angels' Kitchen (1646)
- The Flight into Egypt (1647–1650)
- Adoration of the Shepherds (Madrid; c. 1650)
- The Holy Family with a Little Bird (1650)
- Our Lady of the Rosary (1650–1655)
- Saint Roderick (c. 1650–1655)
- Rebecca and Eleazar (1652)
- The Vision of Saint Anthony of Padua (1656)
- The Good Shepherd (c. 1660)
- The Birth of the Virgin (1661)
- Christ after the Flagellation (Boston; c. 1665)
- Rest on the Flight into Egypt (c. 1665)
- The Apparition of the Virgin to Saint Bernard (c. 1665)
- Mater Dolorosa (1665)
- The Patrician's Dream (1665)
- Saint Anthony with the Christ Child (1665–1666, 1668–1669)
- Liberation of Peter (1665–1667)
- Isaac Blessing Jacob (1665–1670)
- Saint Justa and Saint Rufina (c. 1666)
- Madonna and Child of the Napkin (c. 1666)
- Christ Healing the Paralytic at the Pool of Bethesda (c. 1667–1670)
- Christ on the Cross (San Diego; c. 1667–1670)
- The Return of the Prodigal Son (c. 1667–1670)
- The Miracle of the Loaves and Fishes (Edinburgh; c. 1667–1682)
- Adoration of the Shepherds (London; c. 1668)
- Saint Thomas of Villanova Giving Alms (c. 1668)
- Saint Francis Embracing Christ on the Cross (1668–1669)
- Holy Family with the Infant Saint John the Baptist (c. 1668–1670)
- The Miracle of the Loaves and Fishes (Seville; c. 1669–1674)
- Moses at the Rock of Horeb (c. 1669–1674)
- Christ after the Flagellation (Champaign; c. 1670)
- Abraham and the Three Angels (c. 1670–1674)
- The Christ Child and the Infant John the Baptist with a Shell (1670–1675)
- Saint Elizabeth of Hungary Curing the Sick (1672)
- Saint John of God Carrying a Sick Man (1672)
- Ecce Homo (c. 1672–1678)
- Christ on the Cross (New York; c. 1675)
- The Martyrdom of Saint Andrew (1675–1682)
- Christ on the Cross (Madrid; c. 1675)
- Saint Thomas of Villanova Healing a Lame Man (c. 1675)
- The Conversion of Saint Paul (c. 1675–1680)
- Christ on the Cross (Madrid; c. 1677)
- The Christ Child Distributing Bread to Pilgrims (1678)
- The Heavenly and Earthly Trinities (c. 1680)
- The Young Beggar (1645–1650)
- Children Eating Grapes and a Melon (1645–1650)
- Four Figures on a Step (c. 1655–1660)
- Boy with a Dog (1655–1660)
- Two Women at a Window (1665–1675)
- The Little Fruitseller (c. 1670–1675)
- Children Eating a Tart (1670–1675)
- The Flower Girl (c. 1675–1680)
- Portrait of Diego Ortiz de Zúñiga (c. 1653)
- Portrait of Íñigo Melchor Fernandez de Velasco (1658–1659)
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