The Accordionist
The Accordionist (French: L’accordéoniste) is a 1911 oil on canvas painting by Pablo Picasso. The painting portrays a seated man playing an accordion. The division of three-dimensional forms into a two-dimensional plane indicates that the painting is in the style of Analytical Cubism, which was developed by Picasso and Georges Braque between 1907 and 1914. The painting is now in the Solomon R. Guggenheim Museum in New York City.
Background
This painting was produced during a period in Picasso's art known as Analytical Cubism. Cubism was developed between 1907 and 1914 by Picasso and Georges Braque after they met in 1907.[1] It was an innovative new style of art, which in its early stages involved breaking surfaces into sharply defined planes. In 1911, Picasso and Georges Braque spent the summer at Céret, in the French Pyrenees, a period that is considered to be an important moment in the development of Cubism.[2]
The onset of cubism can be viewed as a rejection of traditional painting techniques and realistic imitations of the natural world. Traditional techniques, like modelling and perspective, were replaced by fractured objects reduced to geometric shapes and shallow space. The subject could also be depicted from multiple viewpoints.[3]
Until 1910, the subject of cubist artworks could still be interpreted, as the figure or object in the paintings was conveyed in a fractured form, but reassembled to a certain extent to offer a distinguishable representation of the subject. However, from 1910 to 1912, Picasso and Braque abstracted their works even further, by reducing the subject to just a series of overlapping planes that were more complex and difficult to comprehend. The paintings of this period were also dominated by near monochromatic hues of brown, grey and black.[3]
Description
The complex fragmented composition of The Accordionist requires some persistence in order to determine the outlines of the subject. The painting displays a seated accordionist, which is defined by a series of vertically aligned triangular planes, semicircles and right angles. The folds of the accordion and its keys can be located in the centre, while the lower area of the canvas displays the volutes of an armchair.[2]
Significance and legacy
The Accordionist demonstrates how Picasso developed the innovative style of Cubism to the point of complete abstraction. It has been described as a "baffling composition" and is so incomprehensible that its former owners mistook it for a landscape because it bears the inscription "Céret" on the reverse. Solomon R. Guggenheim Museum states that, "Picasso’s elusive references to recognizable forms and objects cannot always be precisely identified and, as the Museum of Modern Art’s founding director Alfred H. Barr, Jr. observed, 'the mysterious tension between painted image and 'reality' remains'."[2]
External links
- The Accordionist at Solomon R. Guggenheim Museum
References
- ^ Voorhies, James (2000). "Pablo Picasso (1881-1973)". Heilbrunn Timeline of Art History. Metropolitan Museum of Art. Retrieved 8 April 2011.
- ^ a b c "Accordionist". The Guggenheim. Retrieved 1 January 2020.
- ^ a b Rewald, Sabine. "Cubism". Heilbrunn Timeline of Art History. Metropolitan Museum of Art. Retrieved 8 April 2011.
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- Nature morte au poron (1948)
- Massacre in Korea (1951)
- Les Femmes d'Alger series (1955)
- Las Meninas (1957)
- The Fall of Icarus (1958)
- Bust of a Seated Woman (Jacqueline Roque) (1960)
- Jacqueline (1961)
- Femme au Chien (1962)
- Bust of a Woman (Marie-Thérèse) (1931)
- Tête de femme (Dora Maar) (1941)
- Bull's Head (1942)
- Baboon and Young (1951)
- Figure découpée (1963, 1964, 1965)
- Chicago Picasso (1967)
- Sylvette (1970)
- Vollard Suite (1930–1937)
- Minotaur Kneeling over Sleeping Girl (1933)
- Minotauromachy (1935)
- The Dream and Lie of Franco (1937)
- 347 Series (1968)
- Girl from Majorca (1905)
- Don Quixote (1955)
- Toros y toreros (1961)
- Le Taureau (1945-1946)
- Dove (1949)
- Desire Caught by the Tail (c. 1941)
- The Four Little Girls (c. 1947–48)
- Picasso and the Ballets Russes
- Parade
- The Three-Cornered Hat
- Pulcinella
- Le Train Bleu
- Mercure
- Musée Picasso (Paris)
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- Museu Picasso (Barcelona)
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- Museo Casa Natal (Malaga)
- Château de Boisgeloup (Normandy)
- Olga Khokhlova (first wife)
- Jacqueline Roque (second wife)
- Maya Widmaier-Picasso (daughter)
- Claude Picasso (son)
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- Marina Picasso (granddaughter)
- Bernard Ruiz-Picasso (grandson)
- José Ruiz y Blasco (father)
(France)
- Bateau-Lavoir (Montmartre Paris)
- Villa La Vigie (Juan-les-Pins, Summer 1924)
- Château de Boisgeloup (Gisors, 1930-1937)
- Château of Vauvenargues (Vauvenargues, 1958-1962)
- Villa La Californie (Cannes, 1955-1961)
- Château de Vie (Mougins, 1961-1973)
television about
- Visit to Picasso (1949)
- Guernica (1950)
- The Mystery of Picasso (1956)
- The Adventures of Picasso (1978)
- Surviving Picasso (1996)
- Picasso: Magic, Sex & Death (2001)
- Modigliani (2004)
- Genius (2018 TV series)
- Carles Casagemas
- Carl Nesjar
- Lydia Corbett
- Lump (dog)
- Fundación Picasso
- Picasso. In the heart of darkness (1939-1945) (2019-2020 exhibition)
- Picasso & Lump (2006 book)
- Picasso referendum of Basel
- Theft of The Weeping Woman from the National Gallery of Victoria
- Portrait of Pablo Picasso (1915 painting)
- "If I Told Him: A Completed Portrait of Picasso" (1924 poem)
- Woman, Bird, Star (Homage to Pablo Picasso) (1973 painting)
- "Pablo Picasso" (1976 song)
- The Blue Guitar (1977 etchings)
- Picasso at the Lapin Agile (1993 play)
- Picasso (crater)